Henry Martin
- Pronouns:
- (He/Him)
- Description
- Henry Martin looks to be an eccentric human painter. He stands about 5'11" (180cm) tall, with a slender build and a pale complexion. His clothes are typically splattered with every color of a painter's palette, and only rarely can he be found without at least one paintbrush in his hands. His unkempt strawberry blonde hair often falls in front of his faintly violet eyes.
His gaze is piercing and observant, and he commonly carries himself with an air of excitement and enthusiasm. - Dominance
- Sexual Interest:
- interested
- Romantic Interest:
- interested
Never
Never
Maybe
Never
Never
Yes
Maybe
Yes
Fav
- Extended Description/Backstory
- Henry comes from an Earth with more technology than it has magic. Few people go their lives without seeing real magic, but just as few are lucky enough to find a chance to wield it themselves. The technology and culture there are otherwise very similar to the real world.
Henry found his magical paints and brushes in an abandoned shrine he found in the wilderness while seeking inspiration for his next landscape painting. He wields his brush like a wand, with big, dramatic, flourish-y strokes, and the paint arranges and rearranges itself on the canvas (or wall, or skin...) however he likes. He can create a new painting in five minutes or so, and once created, a few more strokes can make the paint move and animate the picture almost however he likes. The tubes of paint replenish themselves slowly over time.
He has come to use his paintings conversationally, more often than not painting a picture to illustrate his points whenever he talks with anyone. When he did this to recount a hypnosis show to a lady friend of his, he was pleasantly surprised by the result. He has occasionally repeated that experience on purpose.
He is a passionate fellow, and easily excited. He seeks every opportunity to see beauty in ways he has not seen before. He usually carries a small wooden case of his own design, which can fold outward to neatly display all his common artistic needs.
- OOC
- Henry is, as of my writing this, a new character of mine. I hope for him to find opportunities to smoothly transition his rapid-fire art routine into a hypnotic induction. Once there, some of the games I have in mind involve having the lady think she's a beautiful work of art - perhaps as a goddess, or a sculpture reshaping at Henry's whims, or perhaps becoming an embodiment of whatever version of herself Henry chooses to paint. I'm also interested in trying a scene with body art, though I'm not yet sure what shape that would take.
With his easily excited nature and his vivid imagination, turning the tables on Henry is definitely a possibility. Just let me know if that's what you're planning, so I can prepare my end of that kind of scene accordingly.
- Player Info
- Hi! Sirveaux here. When I write, I tend to spend some extra time working out extra details about my character's actions, current mindset, and current feelings. Expect me to post more slowly than the average player. And, feel free to take time with your own posts as well! Any extra insights you can include will really help me get into things.
I like kink sessions to linger on the process of mind control for a while before getting on to the resulting effects. Having the characters chat before and after is great, too. How interested I am in things getting sexual varies a lot day by day. I especially like mind control effects that expand, explore, and challenge the limits of the subject's inhibitions, or mess with their sensory perceptions and mindset for the duration of the session. I'm not a fan of cruelty or pain.
I've done a lot of experimenting with the crew around here, and I've found I equally enjoy writing as either the dominant or submissive character of a given kink scene, and equally enjoy writing for the female or male side of a sexual encounter, too. My one remaining hard limit is, I can't write sexual activities involving more than one character with a penis. (Relatedly... male to female transformation of one of my characters prior to a scene is an outstanding experiment for me to try at some point.)
